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1935 MCINTOSH DECO ASIA WEAPON SWORD CHINA TEMPLE WARRIOR VINTAGE ART COVER VP72 DATE OF THIS ** ORIGINAL ** COVER: 1935DESCRIPTION OF ITEM: AN ORIGINAL ILLUSTRATED COVER (COVER ONLY) FROM VINTAGE PERIODICAL…COVER IS BEING SOLD AS-IS WITH ALL FAULTS AS SEEN IN PHOTO(S)DATE OF ORIGINAL COVER: SEE TITLESPECIAL CHARACTERISTICS/DESCRIPTIVE WORDS: ILLUSTRATOR/ARTIST: Frank McIntosh is perhaps most well known for the advertising art he produced for the Matson Line‘s cruises to Hawaii, but prior to that he designed many striking and colorful covers for Asia magazine which show the influence of the prevailing Art Deco style. A 1939 luggage sticker and ticket envelope designed for the Matson Line were followed by six menu covers which were widely collected and used for interior design at the time, and continue to be so. McIntosh was born in 1901 in Portland Oregon where he grew up before moving to San Francisco to study art, developing a special interest in stage design. He studied in New York with theatrical and industrial designer Norman Bel Geddes for a year, but then turned to illustration with a long run of designs for Asia magazine, followed by his work for Matson lines. After the war the work of Eugene Savage was used on the Matson line menus. McIntosh was a collector of Asian art; in the early 1960s he had a gallery in Los Angeles dealing in Oriental paintings and accessories.Frank H. McIntosh was born in Portland, Oregon on July 17, 1901. After graduating from the California School of Fine Arts, McIntosh had a studio in San Francisco 1923-24. He produced much of the Matson Line’s advertising art. He then continued his studies in New York City and Paris. By the early 1930s he had moved to Los Angeles where he was on the faculty at the Chouinard Art Institute. In 1940 he had a studio in New York City. During the 1960s he had a gallery in Los Angeles dealing with Oriental paintings and objet d’art. He died in Santa Cruz, CA on May 29, 1985. FRANK McINTOSH (b. 1901-?) The dynamic initiatives of art deco design, from the very early stages with Paul Poiret and Georges Lepape in Paris, capitalized upon the surging of exotica coming their way in the form of North African colonials from places like Algeria and Morocco. Soon that catchment was to include the mysterious and sexy factors to be found amongst the Equatorial populations with which France had a lot to do. Not readily endowed with such inspirational traffic, Oregon-born and San Francisco-based Frank McIntosh had to rely on magazines and movies featuring such places when he found himself commissioned to produce a long series of covers for the photo-enhanced travel, culture, business and politics publication, ASIA, in the 1920s and 1930s. Regardless of gaps with his first-hand experience of the templates of deco exotica, he moved from triumph to triumph on the basis of a true affinity for primitive glamor and surreal mystery. The output for ASIA is vast and varied, and its special qualities deserve distinct attention. First of all, there is a latent cosmopolitan sheen injected into the radiance of the wild subject, the better to capture a cosmopolitan clientele. In this regard we have: Those instances also stand as glowing examples of a compositional bravura bringing to mind great cinematography. Here are three more in that vein, which go on to flood the impact with a powerful theatricality, so much so that we have to suspect that McIntosh has got his hands on some editions of the French pochoir-enhanced fashion publication, Gazette du Bon Ton. McIntosh’s modelling skills were not confined to human subjects, but memorably lingered over wild animal subjects A final aspect of the work for ASIA is a marvellous dose of surrealist mystery and wit, in its own way rivalling Cassandre’s surrealist designs for Harper’s Bazaar. The croc pictured just above is but one glorious twist to the surrealism-for-hire mode patented by Dali. So, too, are the beauty-on-the-warpath, the Siamese Twins and the Smokin’ Percussionist pictured below. To wrap things up with a particularly delicious twist, there is the gift of McIntosh as an inspired colorist. These amazing images would be particularly effective as a suite of individually framed entities, either with the contents enclosed within the matted presentation or having the contents attached separately to the back of the framed picture. From out of a regrettably meagre amount of poster work, there is one brilliant example making us hope there are others to be discovered, somewhere, someday. Reflecting the artist’s involvement in stage-play design, there is a glistening out-of-this-world Boeing 314 Pan Am Clipper just arrived in a tropical paradise with its ecstatic passengers making their first contact with beautiful and gracious denizens of the island. Pan Am would dock at a seaside hotel facility (no doubt an entity invested in by the airline) and so these passengers are making their way directly on foot from the plane to their home away from home. (That could account for the rather Caucasian presence of the tanned locals. They are in fact tourists-gone-native or hotel staff.) The overall tone of the poster is one of wonderment about having ventured toward the Orient. Everyone is enroute to an unforgettable expansion of consciousness. In the case of the ASIA covers, a taste for mystery has become predominant, a disorientation for the Western viewer made more manageable in the reflection-friendly precincts of a magazine, as compared with the quick fix of the poster. IMAGE SIZE: SEE PHOTO FOR DIMENSIONS ( ALL DIMENSIONS IN INCHES) Item Condition: SEE PHOTO CAREFULLY…MANY OF THESE COVERS HAVE HEAVIER AGE WEAR FROM COLLECTOR USE (INCLUDING EDGE CUTS + REPAIRED TEARS) THE WEAR SHOULD BE EASY TO CLEAN OR REPAIR FOR FRAMING ….All original ads have some sign of age use.. these are period ads and we take quality photo’s to show any flaws. If you have questions about condition please ask… We do not reveal the periodical from which the ad is removed … except to the buyer ! Please don’t ask us email this info… or higher res. photo’s…. For those folks who wish to copy and print our photo’s be aware they are photo copyrighted. and we will report misuse ! We DO try and note and MAJOR flaws….otherwise please use the photo as part of the description…**For multiple purchases please wait for our combined invoice. Shipping discount are ONLY available with this method. Thank You. At BRANCHWATER BOOKS we look for rare & unusual ADVERTISING, COVERS + PRINTS of commercial graphics from throughout the world. THE COLLECTING OF MAGAZINE COVER ART IS INTRIGUING IN THE SENSE OF «THE FIND» AND ALSO «THE BRAG» … BEING IN EVERY SENSE OF THE WORD-EPHEMERAL, MOST MAGAZINES WERE NOT INTENDED FOR LONG-TERM SURVIVAL. STARTING WITH THE FIRST MAGAZINE (IE: THE GENTLEMAN’S MAGAZINE, FIRST PUBLISHED IN 1731, IN LONDON, CONSIDERED TO HAVE BEEN THE FIRST GENERAL INTEREST MAGAZINE). MOST WERE READ, AND RE-READ AS THEY WERE PASSED ALONG BUT EVENTUALLY MOST WOULD END UP IN THE TRASH OR THE SCRAP PAPER-BUYER’S CART…AND SO THE ENJOYMENT OF COLLECTING MAGAZINES AND THEIR SUPERLATIVE COVER ART BEGAN.WARS, HATE MONGERS, BOOK BINDERS, SCRAP DRIVES, RODENTS, MOLD AND FIRE, HAVE TAKEN THEIR TOLL UPON SURVIVAL…ALONG WITH FLOODS, TORNADOS, AND OTHER NATURAL DISASTERS WHICH CONTINUALLY REDUCE THE AVAILABLE NUMBER OF COLLECTIBLE COVERS TO ENJOY, PURCHASE, AND SHOW OFF.AS WITH ALL EPHEMERA, CONDITION, SCARCITY, CONDITION, DESIRABILITY, CONDITION, AND … DID I MENTION…CONDITION…ARE THE PRIME FACTORS INVOLVED IN PRICE.PERFECT COVER ART IS RARE—AND PRICED ACCORDINGLY!MOST COVERS PRIOR TO 1880 WERE PRINTED ON ACID FREE PAPER…AFTER THAT PAPER QUALITY CONTINUES TO DECLINE.IT IS ALWAYS BEST TO USE ACID-FREE STORAGE IN MOUNTING PRACTICES IN COLLECTING MAGAZINE COVERSAS DECORATIVE ART, THESE COVERS GIVE YOU, THE BUYER, AN OPPORTUNITY TO PURCHASE AND ENJOY FINE GRAPHICS.As graphic collectors ourselves, we take great pride in doing the best job we can to preserve and extend the wonderful historic graphics of the past. PLEASE LOOK AT OUR PHOTO CLOSELY AS IT IS (ALBEIT LOWER RESOLUTION) THE PRODUCT BEING SOLD…..NOT STOCK IMAGES **NOTE** : PAGES MAY SHOW AGE WEAR AND IMPERFECTIONS TO MARGINS, WITH CLOSED NICKS AND CUTS, WHICH DO NOT AFFECT AD IMAGE OR TEXT WHEN MATTED AND FRAMED. We ship via United States Postal Service. We have a 4 day handling time not including weekends or holidays but normally we have all orders processed, packed and shipped within 48 hrs. A Note to our international buyers (Including Canada). Please read before placing a bid or buying an item: **Import taxes, duties and charges are not included in the item price or shipping charges. These charges are the buyer’s responsibility. Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying on items. These charges are normally collected by the shipping company or when you pick the item up, this is not an additional shipping charge. We do not mark merchandise values below value or mark items as GIFTS, US and International government laws prohibit this so please don’t ask us to. We are not responsible for shipping times to international buyer’s. Your country’s customs may hold the package for a month or more. We ask that payments be made within 2 days or notify us via email otherwise. We send out a reminder payment email once and then proceed with unpaid item report on the 4 th day. **We pride ourselves on quality products, great service, accurate gradations and fast shipping.** BRANCHWATER BOOKS GRADING SCALE: GOOD—>VERY GOOD—>FINE YOUR AD WILL BE SHIPPED ROLLED IN A PROTECTIVE PLASTIC BAG IN AN 80mm (TWICE USPS RECOMMENDED) THICK, 2 INCHES IN DIAMETER (SO AS NOT TO STRESS THE PAPER) SHIPPING TUBE WITH PRESS TIGHT PLASTIC END CAPS.VP72 Powered by SixBit’s eCommerce Solution
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